Jumat, 18 November 2011

Here on Earth: A Natural History of the Planet

  • ISBN13: 9780802119766
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Chris Klein ("American Pie") and Leelee Sobieski ("Never Been Kissed") star in a "heartfelt story of romance, friendship and true love." (JUMP Magazine). Rich kid Kelley Morse (Klein) thought he had it all - money, good looks and a new Mercedes. But after a reckless car race destroys a roadside diner, Kelley finds himself sentenced to a summer of manual labor in a small town. That's where he meets and falls in love with Samantha, a girl from the other side of the tracks. But everything changes when Samantha's long-time boyfriend Jasper (Josh Hartnett, "The Faculty") uncovers their secret romance. This "sweet and romantic" (YM Magazine) tale of first love will capture your heart.Slumming among the loca! ls of a small New York town, Kelley Morse (Chris Klein), graduating senior at a posh prep school and all-around insufferable rich kid, engages the testosterone of one of the hicks (Josh Hartnett) when he flirts with the guy's girlfriend, Samantha (LeeLee Sobieski). A car chase ensues, resulting in Samantha's family's diner getting blown up, which in turn lands the boys in hot water with the law. The upshot is the snotty rich kid is sentenced to help the locals rebuild the diner. A romance develops between Kelley and Samantha, apparently because they like a particular Robert Frost poem. So now they're deep, see. But then their love is tested when Samantha contracts Ali MacGraw disease. You know, that's the sudden disease Ali McGraw gets in Love Story--really an excuse to emphasize the strength of the characters' love. You don't know what you got till it's gone, right? This film would be pretty bad if the performances weren't so engaging, especially LeeLee Sobieski's, ! who seems to be channeling Helen Hunt in this movie. Though Ch! ris Klei n never makes us believe for an instant that his arrogant character could make the changes he does, or that his and Sobieski's characters could ever really get together. The script is too thin to support any motivations, and the film falls into formula weepy territory to appeal to teen tear ducts. Lovers of weepies might overlook the film's plot weaknesses in favor of the strong performances and the prospect of a good cry. --Jim GayThe bestselling author of Turtle Moon and Practical Magic tells her most seductive and mesmerizing tale yet--the story of March Murray, who returns to her small Massachusetts hometown after nineteen years, encountering her childhood sweetheart...and discovering the heartbreaking and complex truth about their reckless and romantic love.

"A sound addition to an impressive body of work."--Boston Globe

"Sumptuous prose."--Denver Post

"Here on Earth is Hoffman's twelfth novel, and the spell she casts is stronge! r than ever."--Orlando Sentinel

* Includes a Reader's Guide

The New York Times bestseller and Oprah's Book Club selection...with a Reader's Guide included.Oprah Book Club® Selection, March 1998: Here on Earth is set in motion when March Murray and her teenage daughter travel from their California home to New England. Their stay is to be brief. Judith Dale, her childhood housekeeper-cum-foster mother, has died, and March must set things to right and get out of gloomy Jenkintown as quickly as possible. "Five days tops," she reassures her scientist husband. Instead, she is pulled back into the arms of Hollis, her first love--an avaricious, Heathcliff-like individual who radiates sulfur and cruelty. "She left and didn't come back, not even when he called her, and yet here she is, on this dark night; here and no place else." In this deep fable of loss and control, love and fear, Alice Hoffman allows us into her characters' c! ores and makes us wish their fortunes were happier. Here o! n Earth< /i> is filled with wisdom, what-ifs, and animals who seem, if not to know more than human beings, at least to know how to shy from danger.Chris Klein ("American Pie") and Leelee Sobieski ("Never Been Kissed") star in a "heartfelt story of romance, friendship and true love." (JUMP Magazine). Rich kid Kelley Morse (Klein) thought he had it all - money, good looks and a new Mercedes. But afterSlumming among the locals of a small New York town, Kelley Morse (Chris Klein), graduating senior at a posh prep school and all-around insufferable rich kid, engages the testosterone of one of the hicks (Josh Hartnett) when he flirts with the guy's girlfriend, Samantha (LeeLee Sobieski). A car chase ensues, resulting in Samantha's family's diner getting blown up, which in turn lands the boys in hot water with the law. The upshot is the snotty rich kid is sentenced to help the locals rebuild the diner. A romance develops between Kelley and Samantha, apparently because they like a particul! ar Robert Frost poem. So now they're deep, see. But then their love is tested when Samantha contracts Ali MacGraw disease. You know, that's the sudden disease Ali McGraw gets in Love Story--really an excuse to emphasize the strength of the characters' love. You don't know what you got till it's gone, right? This film would be pretty bad if the performances weren't so engaging, especially LeeLee Sobieski's, who seems to be channeling Helen Hunt in this movie. Though Chris Klein never makes us believe for an instant that his arrogant character could make the changes he does, or that his and Sobieski's characters could ever really get together. The script is too thin to support any motivations, and the film falls into formula weepy territory to appeal to teen tear ducts. Lovers of weepies might overlook the film's plot weaknesses in favor of the strong performances and the prospect of a good cry. --Jim Gay
Beginning at the moment of creation with the Big Bang! , Here on Earth explores the evolution of Earth from a ! galactic cloud of dust and gas to a planet with a metallic core and early signs of life within a billion years of being created. In a compelling narrative, Flannery describes the formation of the Earth’s crust and atmosphere, as well as the transformation of the planet’s oceans from toxic brews of metals (such as iron, copper, and lead) to life-sustaining bodies covering 70 percent of the planet’s surface. Life, Flannery shows, first appeared in these oceans in the form of microscopic plants and bacteria, and these metals served as catalysts for the earliest biological processes known to exist. From this starting point, Flannery tells the fascinating story of the evolution of our own species, exploring several early human species—from the diminutive creatures (the famed hobbits) who lived in Africa around two million years ago to Homo erectus—before turning his attention to Homo sapiens. Drawing on Charles Darwin’s and Alfred Russell Wallace’s theori! es of evolution and Lovelock’s Gaia hypothesis, Here on Earth is a dazzling account of life on our planet.

My Michelle Girls 7-16 Butter Fly Sleeve Top, Red, Medium

Dumb and Dumber (Unrated Edition) [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • Color; Dolby; Subtitled; Widescreen
This never-before-seen unrated version of the comedy classic includes all-new scenes and extended scenes that take the laughs further than ever!

DVD Features:
3D Animated Menus
Alternate endings
DVD ROM Features
Deleted Scenes
Documentaries
TV Spot
Theatrical Trailer

Delivering exactly what its title promises, this celebration of stupidity was Jim Carrey's 1994 follow-up to Ace Ventura: Pet Detective and The Mask. The film pairs the rubber- faced wacky man with Jeff Daniels as the not-so-dynamic duo of Lloyd and Harry, dunderheads who come into the possession of a briefcase containing ransom money that is intended for Mob-connected kidnappers. Lauren Holly costars as the woman who lost the briefcase, and with wh! om Carrey falls in love (both in real life and as his moronic on-screen character). As Lloyd and Harry make a mad dash to return the briefcase (never aware of its contents), the bumbling buddies attract Mobsters, cops, and trouble galore. This lowbrow laugh-a-thon scores some solid hits for hilarity, but with gags involving ill-fated parakeets, buxom bimbos, and an overdose of laxatives, be prepared to put your brain--and good taste--on hold. --Jeff ShannonFor harry and lloyd every day is a no-brainer. Join these two halfwits as they travel across the country to return a suitcase full of cash to its rightful owner. Along the way theyll confound and confuse everyone who crosses their path. Studio: New Line Home Video Release Date: 12/09/2008 Starring: Jim Carrey Jeff Daniels Run time: 110 minutes Rating: Pg13 Director: Peter FarrellyDelivering exactly what its title promises, this celebration of stupidity was Jim Carrey's 1994 follow-up to Ace Ventura: Pet D! etective and The Mask. The film pairs the rubber- f! aced wac ky man with Jeff Daniels as the not-so-dynamic duo of Lloyd and Harry, dunderheads who come into the possession of a briefcase containing ransom money that is intended for Mob-connected kidnappers. Lauren Holly costars as the woman who lost the briefcase, and with whom Carrey falls in love (both in real life and as his moronic on-screen character). As Lloyd and Harry make a mad dash to return the briefcase (never aware of its contents), the bumbling buddies attract Mobsters, cops, and trouble galore. This lowbrow laugh-a-thon scores some solid hits for hilarity, but with gags involving ill-fated parakeets, buxom bimbos, and an overdose of laxatives, be prepared to put your brain--and good taste--on hold. --Jeff ShannonDUMB AND DUMBER - Blu-Ray MovieDelivering exactly what its title promises, this celebration of stupidity was Jim Carrey's 1994 follow-up to Ace Ventura: Pet Detective and The Mask. The film pairs the rubber- faced wacky man with Jeff Dani! els as the not-so-dynamic duo of Lloyd and Harry, dunderheads who come into the possession of a briefcase containing ransom money that is intended for Mob-connected kidnappers. Lauren Holly costars as the woman who lost the briefcase, and with whom Carrey falls in love (both in real life and as his moronic on-screen character). As Lloyd and Harry make a mad dash to return the briefcase (never aware of its contents), the bumbling buddies attract Mobsters, cops, and trouble galore. This lowbrow laugh-a-thon scores some solid hits for hilarity, but with gags involving ill-fated parakeets, buxom bimbos, and an overdose of laxatives, be prepared to put your brain--and good taste--on hold. --Jeff Shannon

Adventures of Joe Dirt, The (2001) - 11 x 17 - Style B

  • Wonderful poster to add to any collection
  • Arrives rolled in a protective mailer tube
  • Brand new poster ready to frame
Classic rock means different things to different people. But when it comes to the 1970s, kitsch classics reign supreme. Joe Dirt is a comedy that combines the '70s stoner vibe with the air-guitar dreamers of the '80s. There are stacks of both overplayed and overlooked hard rock that could accompany this trip down memory lane. At only 12 tracks, this brief introduction is for those who have never experienced classic rock radio. Ted Nugent's "Cat Scratch Fever," Lynyrd Skynyrd's "Sweet Home Alabama," and the Doobie Brothers' "China Grove" are obvious staples, while Argent's 1972 hit "Hold Your Head Up" and April Wine's 1978 track "Roller" border on the obscure. George Thorogood blows out his amp with a pulverizing version of Bo Diddley's "Who Do You Love." ! But the inclusion of Cheap Trick and Eddie Money tips the balance toward pop rock that most self-respecting mullet-heads would never order up on the local jukebox. --Rob O'Connor No Description Available.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 25-JUL-2006
Media Type: DVDAnother of those cut-and-paste comedies from Adam Sandler's production company starring one of Sandler's erstwhile Saturday Night Live colleagues, The Adventures of Joe Dirt finds the magnificently caustic David Spade emasculated by a sentimental script and shapeless, haphazard cutting. Spade plays the title character, a white-trash orphan in search of the parents who abandoned him at the Grand Canyon. The humor is supposed to come from Joe's misadventures, his redneck gullibility, and his encounters with such figures as a serial killer, a wacked-out janitor (Christopher Walken), and a lovable gal (Jamie Pressly) who may, unfortuna! tely, turn out to be his sister. But the squishier requirement! s of the story, requiring the audience to feel deeply for the pain of Spade's caricature, are an irritant and force Spade to veer from the nastier stuff he does so well. With Kid Rock, Dennis Miller. --Tom Keogh Another of those cut-and-paste comedies from Adam Sandler's production company starring one of Sandler's erstwhile Saturday Night Live colleagues, The Adventures of Joe Dirt finds the magnificently caustic David Spade emasculated by a sentimental script and shapeless, haphazard cutting. Spade plays the title character, a white-trash orphan in search of the parents who abandoned him at the Grand Canyon. The humor is supposed to come from Joe's misadventures, his redneck gullibility, and his encounters with such figures as a serial killer, a wacked-out janitor (Christopher Walken), and a lovable gal (Jamie Pressly) who may, unfortunately, turn out to be his sister. But the squishier requirements of the story, requiring the audience to feel deeply for the p! ain of Spade's caricature, are an irritant and force Spade to veer from the nastier stuff he does so well. With Kid Rock, Dennis Miller. --Tom Keogh Another of those cut-and-paste comedies from Adam Sandler's production company starring one of Sandler's erstwhile "Saturday Night Live" colleagues, "The Adventures of Joe Dirt" finds the magnificently caustic David Spade emasculated by a sentimental script and shapeless, haphazard cutting. Spade plays the title character, a white-trash orphan in search of the parents who abandoned him at the Grand Canyon. The humor is supposed to come from Joe's misadventures, his redneck gullibility, and his encounters with such figures as a serial killer, a wacked-out janitor (Christopher Walken), and a lovable gal (Jamie Pressly) who may, unfortunately, turn out to be his sister. But the squishier requirements of the story, requiring the audience to feel deeply for the pain of Spade's caricature, are an irritant and force Spade to ve! er from the nastier stuff he does so well. With Kid Rock, Denn! is Mille r. "--Tom Keogh"Another of those cut-and-paste comedies from Adam Sandler's production company starring one of Sandler's erstwhile Saturday Night Live colleagues, The Adventures of Joe Dirt finds the magnificently caustic David Spade emasculated by a sentimental script and shapeless, haphazard cutting. Spade plays the title character, a white-trash orphan in search of the parents who abandoned him at the Grand Canyon. The humor is supposed to come from Joe's misadventures, his redneck gullibility, and his encounters with such figures as a serial killer, a wacked-out janitor (Christopher Walken), and a lovable gal (Jamie Pressly) who may, unfortunately, turn out to be his sister. But the squishier requirements of the story, requiring the audience to feel deeply for the pain of Spade's caricature, are an irritant and force Spade to veer from the nastier stuff he does so well. With Kid Rock, Dennis Miller. --Tom Keogh 11" x 17" high quality reproduction pos! ter by Pop Culture Graphics. Printed in the USA. Perfect for framing.

The Fantasticks: The Complete Illustrated Text Plus the Official Fantasticks Scrapbook and History of the Musical

Buffalo Soldiers

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This book is now a major motion picture released with the same title in August 2011. In 1987, Latif Yahia was taken to Saddam's headquarters to meet Uday, Saddam's eldest son, and told that a great honour had been bestowed upon him: that because of the great likeness between them, he had been chosen to be Uday's double. For many Iraqis it would have been the highlight of their lives, but for Latif, a peace-loving man who did not agree with Saddam's brutal regime, it was not. He refused. Following a week of torture, and realising he would be killed if he continued to refuse, Latif was forced to accept the role. After a gruesome training programme during which he was made to watch over thirty films of torture, hours of tapes of Uday, and undertake ! a final remodelling of his appearance, Latif was deemed ready. But it was only after the final test, a meeting with Saddam himself, that Latif made his first public appearance. And so began his life as Uday's double - a life on the perimeter of the inner circle of Saddam's eldest son, a witness to the horror of his insane life of debauchery, excess and brutality, and an experience for which he almost paid with his life on more than one occasion.Based on a gripping, unbelievable true story of money, power and opulent decadence, Lionsgate’s THE DEVIL’S DOUBLE takes a white- knuckle ride deep into the lawless playground of excess and violence known as Baghdad, 1987. Summoned from the frontline to Saddam Hussein's palace, Iraqi army lieutenant Latif Yahia (Dominic Cooper) is thrust into the highest echelons of the "royal family" when he’s ordered to become the ‘fiday’ â€" or body double â€" to Saddam's son, the notorious "Black Prince" Uday Hussein (also Dominic Coope! r), a reckless, sadistic party-boy with a rabid hunger for sex! and bru tality. With his and his family’s lives at stake, Latif must surrender his former self forever as he learns to walk, talk and act like Uday. But nothing could have prepared him for the horror of the Black Prince’s psychotic, drug-addled life of fast cars, easy women and impulsive violence. With one wrong move costing him his life, Latif forges an intimate bond with Sarrab (Ludivine Sagnier), Uday's seductive mistress who’s haunted by her own secrets. But as war looms with Kuwait and Uday’s depraved gangster regime threatens to destroy them all, Latif realizes that escape from the devil’s den will only come at the highest possible cost.After scene-stealing turns in The History Boys and An Education, charismatic Brit Dominic Cooper becomes a leading man--twice. Like Nicolas Cage in Adaptation, he plays two men with similar features and opposing personalities. In 1987, as Iraq is locked in a power struggle with Kuwait, Uday Hussein decides he need! s a fiday, or body double, so he selects former classmate Latif Yahia, and doesn't give the army lieutenant a choice. Upright Latif must put his scruples aside to take on the part of an insecure, misogynistic sadist. Though dazzled by the Black Prince's wealth, he finds his behavior horrifying, and discovers he isn't alone. Uday's security officer, Munem (Raad Rawi), his mistress, Sarrab (Swimming Pool's Ludivine Sagnier), and even his father, Saddam (Philip Quast, surprisingly sympathetic), all think he's off his rocker. When Uday's encounters with a couple of women come to a grim end, Latif runs away with Sarrab, who's just as anxious to make a new life for herself. New Zealand director Lee Tamahori, who came to fame with Once Were Warriors, consistently goes for the big, the bold, and the operatic, leading to an entertaining, if lurid Scarface-like spectacle. The more his camera ogles Uday's snazzy suits and sexy conquests, the more he seems e! qually bedazzled by this real-life Devil. Fortunately, Cooper ! rises to the occasion with two impressively divergent performances; he keeps you rapt no matter how ridiculous the proceedings get. --Kathleen C. FennessyIn 1987, Latif Yahia was taken to Saddam's headquarters to meet Uday, Saddam's eldest son, and told that a great honour has been bestowed upon him: that because of the great likeness between them, he had been chosen to be Uday's double. For many Iraquis, it would have been the highlight of their lives, but for Latif, a peace-loving man who did not agree with Saddam's brutal regime, it was not. He refused. Following a week of torture and realising he would be killed if he continued to refuse, Latif was forced to accept the role. After a gruesome training programme during which he was made to watch over thirty films of torture, hours of tapes of Uday, and undertake a final remodelling of his appearance, Latif was deemed ready. But it was only after the final test, a meeting with Saddam himself, that Latif made his first public! appearance. And so began his life as Uday's double - a life on the perimeter of the inner circle of Saddam's eldest son, a witness to the horror of his insane life of debauchery, excess and brutality, and an experience for which he almost paid with his life on more than one occasion.Based on a gripping, unbelievable true story of money, power and opulent decadence, Lionsgate’s THE DEVIL’S DOUBLE takes a white- knuckle ride deep into the lawless playground of excess and violence known as Baghdad, 1987. Summoned from the frontline to Saddam Hussein's palace, Iraqi army lieutenant Latif Yahia (Dominic Cooper) is thrust into the highest echelons of the "royal family" when he’s ordered to become the ‘fiday’ â€" or body double â€" to Saddam's son, the notorious "Black Prince" Uday Hussein (also Dominic Cooper), a reckless, sadistic party-boy with a rabid hunger for sex and brutality. With his and his family’s lives at stake, Latif must surrender his former self forev! er as he learns to walk, talk and act like Uday. But nothing c! ould hav e prepared him for the horror of the Black Prince’s psychotic, drug-addled life of fast cars, easy women and impulsive violence. With one wrong move costing him his life, Latif forges an intimate bond with Sarrab (Ludivine Sagnier), Uday's seductive mistress who’s haunted by her own secrets. But as war looms with Kuwait and Uday’s depraved gangster regime threatens to destroy them all, Latif realizes that escape from the devil’s den will only come at the highest possible cost.After scene-stealing turns in The History Boys and An Education, charismatic Brit Dominic Cooper becomes a leading man--twice. Like Nicolas Cage in Adaptation, he plays two men with similar features and opposing personalities. In 1987, as Iraq is locked in a power struggle with Kuwait, Uday Hussein decides he needs a fiday, or body double, so he selects former classmate Latif Yahia, and doesn't give the army lieutenant a choice. Upright Latif must put his scruples asi! de to take on the part of an insecure, misogynistic sadist. Though dazzled by the Black Prince's wealth, he finds his behavior horrifying, and discovers he isn't alone. Uday's security officer, Munem (Raad Rawi), his mistress, Sarrab (Swimming Pool's Ludivine Sagnier), and even his father, Saddam (Philip Quast, surprisingly sympathetic), all think he's off his rocker. When Uday's encounters with a couple of women come to a grim end, Latif runs away with Sarrab, who's just as anxious to make a new life for herself. New Zealand director Lee Tamahori, who came to fame with Once Were Warriors, consistently goes for the big, the bold, and the operatic, leading to an entertaining, if lurid Scarface-like spectacle. The more his camera ogles Uday's snazzy suits and sexy conquests, the more he seems equally bedazzled by this real-life Devil. Fortunately, Cooper rises to the occasion with two impressively divergent performances; he keeps you rapt no matter how ri! diculous the proceedings get. --Kathleen C. FennessyRed! 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Guys & Balls

Bobby (Widescreen Edtion)

  • (Drama) A re-telling of the assassination of Senator Robert F. Kennedy at the Ambassador Hotel in 1968. The film follows 22 individuals who are all at the hotel for different purposes but share the common thread of anticipating Kennedy's arrival at the primary election night party, which would change their lives forever. This historic night is set against the backdrop of the cultural issues gr
(Drama) A re-telling of the assassination of Senator Robert F. Kennedy at the Ambassador Hotel in 1968. The film follows 22 individuals who are all at the hotel for different purposes but share the common thread of anticipating Kennedy's arrival at the primary election night party, which would change their lives forever. This historic night is set against the backdrop of the cultural issues gripping the country at the time, including racism, sexual inequality and class differences.In the final quarter o! r so of Bobby, writer-director-actor Emilio Estevez finally starts tightening his grip on the viewer as we head inexorably toward the film's climax: the 1968 assassination of Robert F. Kennedy in a Los Angeles hotel kitchen. In the course of these scenes--among them Kennedy's acceptance speech after winning the California Democratic presidential primary (the senator is seen only in file footage), his death at the hands of gunman Sirhan Sirhan, and the chaos and despair that ensued--Estevez steadily ratchets up the sense of tension and dread. Knowing exactly what's coming, while the characters onscreen don't, is excruciating, as is our grief at hearing RFK's own words, so eloquent, so hopeful and inspiring, as we watch the horrible events unfold and wonder what might have been (sure it's manipulative--but it works). But the rest of Bobby isn't nearly as compelling. Nor is it really about Kennedy, despite its obvious adulation of the man whom many thought would ! defeat Richard Nixon in the '68 general election. In the tradi! tion of, say, an Irwin Allen disaster flick, we're invited into the lives of nearly two dozen folks, most of them at least partly fictional, who were at the Ambassador Hotel that June day, including guests, staff (kitchen workers, switchboard operators, management, etc.), campaign workers, reporters, and more. There are lots of movie stars in the cast, and some of them (Sharon Stone, Helen Hunt, William H. Macy) are very good. But caring about the quotidian minutiae of these people's existences is a chore, and Estevez crams so many issues into his story (the Vietnam war, drugs, alcoholism, voting irregularities, adultery, racism, immigration, communism… even L.A. Dodgers pitcher Don Drysdale's streak of consecutive shutouts) and tries so obviously to establish parallels between then and now that too much of the movie feels gratuitous and forced. A warts-and-all film about Robert Kennedy's extraordinary life and career would be welcome. Unfortunately, Bobby isn't it. --Sa! m Graham

Ghost Ship [Blu-ray]

  • Danger dead ahead! Dark Castle - makers of the updated House of Wax and House on Haunted Hill - invites you to take a cruise on Ghost Ship.Julianna Margulies, Gabriel Byrne and Isaiah Washington are aboard a mysteriously adrift luxury liner hexed by a seafaring collector of souls. Format: BLU-RAY DISC Genre: HORROR Rating: R Age: 883929066568 UPC: 883929066568 Man
In a remote region of the Bering Sea, a boat salvage crew discovers the eerie remains of a grand passenger liner thought lost for more than 40 years. Once onboard, the crew must confront the ship's horrific past and face the ultimate fight for their lives.

DVD Features:
Additional Scenes
DVD ROM Features
Documentaries:Three shivery how-they-did-it pieces: A Closer Look at the Gore; Designing the Ghost Ship; Visual Effects
Music Video:"Not Falling" - Mudvayne
Theatrical Trail! er

While it offers nothing new for horror buffs, Ghost Ship relocates its haunted house clichés to an eerily effective setting. The Italian luxury liner Antonia Graza, its fate a mystery for 40 years, has suddenly reappeared in the chilly Bering Sea. Lured by a seemingly harmless proposition, Gabriel Byrne and Julianna Margulies lead a salvage crew (including Ron Eldard, Margulies's offscreen partner and fellow ER alumnus) to claim the wreck. But a grisly prologue--in which we witness the horrific fate of the ship's crew and passengers--makes it clear that bad things are going to happen. And they do... with the predictability of tomorrow's sunrise. The supporting cast is routinely dispatched, but their fates are determined amid outstanding art direction, slick cinematography, and judicious digital trickery, all primed to maximize the doom-laden atmosphere. Director Steve Beck (who remade 13 Ghosts a year earlier) won't win any awards ! for ingenuity, but Ghost Ship offers a few good chills ! for a da rk and stormy night. --Jeff Shannon GHOST SHIP - Blu-Ray MovieWhile it offers nothing new for horror buffs, Ghost Ship relocates its haunted house clichés to an eerily effective setting. The Italian luxury liner Antonia Graza, its fate a mystery for 40 years, has suddenly reappeared in the chilly Bering Sea. Lured by a seemingly harmless proposition, Gabriel Byrne and Julianna Margulies lead a salvage crew (including Ron Eldard, Margulies's offscreen partner and fellow ER alumnus) to claim the wreck. But a grisly prologue--in which we witness the horrific fate of the ship's crew and passengers--makes it clear that bad things are going to happen. And they do... with the predictability of tomorrow's sunrise. The supporting cast is routinely dispatched, but their fates are determined amid outstanding art direction, slick cinematography, and judicious digital trickery, all primed to maximize the doom-laden atmosphere. Director Steve Beck (who remade ! 13 Ghosts a year earlier) won't win any awards for ingenuity, but Ghost Ship offers a few good chills for a dark and stormy night. --Jeff Shannon
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